Klaus at Gunpoint
The Film Journal That Proves Publishing Is Still A Bad Idea
  • Klaus at Gunpoint - The Blog
  • Fantasy Film 101
  • Klaus at Gunpoint - The Film Journal
  • Registry - A Podcast
  • Highlights from Klaus at Gunpoint
  • 100 Sci-Fi Classics
  • 100 Sci-Fi Classics 2
  • Videos from Office Supply Pictures
  • Zodiac Speaking

Review - Easy to Learn, Hard to Master

6/22/2017

0 Comments

 
Picture
A look at a documentary about Atari that will be showing at the Computer History Museum in Mountain View, CA tomorrow, Friday, June 23rd, at 6pm. Admission's free! There will also be food trucks out front of the Museum for you to grub on! ​http://www.computerhistory.org/events/upcoming/#ieasy-learn-hard-masteri has more details! 
0 Comments

Interview - Martha Colburn!

11/9/2016

0 Comments

 
Martha Colburn is a helluva filmmaker. Her works are, well, indescribable, and not in a Gaspar Noe sort of way. Her stuff ranges all over the place, and she is exciting! Her films and installations are wonderful ruminations on all sorts of things, and when she hits, she hits hard!

You inhabit two of the worlds of film – the festival and museum realms. What role do you see film playing in museums today?
I am thinking about how the public can be part of my work, through costumes and clothes and sets. I will be showing some films in Varbergs Konsthall in Sweden in October.
 

Your films are often incredibly scored, you've created music, and also done music videos for bands. How does the process for each differ?
It’s the same for me– its musical. Next week I have a performance where I play a sampled set and some drums, with a drummer and a synth / harmonica player. I put together the group and do projections. I had a band that put out six records – The Dramatics. I’m musical, but now I am interested in applying this to scripts and stories.
 

I absolutely adore the style you employed for MYTH LABS. Where did that film come from? When you work on a film like it, how do you get started?
I started with personal stories, people I knew from High School and friends of friends were being impacted somehow by the epidemic of Methamphetamine when I made the film. I then go to research, books, internet, talking to people, writing, and collecting images. It is my writing and research that I find to be the most work.

When you are struck with the concept for a work, how do you go about choosing its form, whether an installation or a film? Do you ever start down one road and then end up having to re-work everything?
I am working on scripts and with actors, and performers now – as part of my filmmaking. I don’t even want to think as narrowly as film or installation- however practical approach that may be- but I first think outside the box- how I can do something live, something engaging. I am an animator for the last years, but when I am not behind the camera – which is not very often - I like to think way beyond that, how I can work with fashion, music, opera, theater, sexual education, political movements, environmental campaigns and anything but animation.
0 Comments

Registry - Lawrence Jordan on Sound and MusicĀ 

7/18/2016

0 Comments

 
Picture
I ask about the role of sound and music in Lawrence Jordan's film, especially Our Lady of the Sphere. Lawrence was kind enough to give a wonderfully thorough answer! 

You can find out more about the work of Lawrence Jordan at lawrencecjordan.com/
0 Comments

Interview - Mike Laflower of Apple Lane

2/19/2016

0 Comments

 
Picture
Apple Lane is a fun horror flick that plays out in the fashion of some of those classic 1980s VHS horror films. Director Mike Laflower was kind enough to answer some of our questions!

Apple Lane's a horror film that is incredibly intelligent. What horror flicks made an impression on you?

Well as a young 9 year old, I would watch scary movies that my older brother and his wife would rent. The one that stuck the most and gave me nightmare for years to come was the 1980's cult horror flick, "Dolls They Walk They Talk and They Kill!"
A couple others that made me love horror was, Return of the Living Dead, Evil Dead and House, ding dong you're dead!:) All of these are just a few that made me love all things horror!

The music in Apple Lane certainly helps to establish the tone and mood. As a director, how to you go about working figuring out the proper tonal concepts for score and soundtrack?
The music that I chose was kinda limited since I didn't have a budget to buy music for the film. So I searched all over the net looking for just the right background music that I felt would fit perfectly! I would watch the clip and match up the right music that I felt gave me chills or that certain feeling that puts you in the position of the characters in that moment of terror or suspense. Took hours and hours to make it just right to my liking! Since I was also the video editor, I did it in the comfort of my own home!

What's your philosophy on the use of sex and violence in horror? Do you have a conscious idea of how much is too much?
I think that sexual concept is almost a must in all horror films. Whether it's just showing a little skin, or sexual gesture, it goes hand in hand. Don't get me wrong, I don't think they should be rated triple xxx or anything, but is relevant to the genre. I believe using sex in horror films is attractive to most horror film junkies to keep them excited and on the edge of their seat!

Tell us a bit about your team? Do you have a regular cast and crew? What do you look for first in your actors?
I didn't really have a crew, I had a few friends and even a couple of the actors that would help me out in set. When I started this project I dive head first right into it. I came up with the idea when I worked in Mayfield, Ky. I drove past an old abandoned lane (Apple Lane) that spiked me out and interested me. Finally I drove down it to look around and it just made the hair stand up on my neck. After about 3 years passed, I decided to write a story about, fiction obviously, then write three acts and gave it to a friend to write the screenplay. After months of preproduction, we finally came up with enough money to start filming! I put a Craigslist ad up and found the perfect 16 actors to fill the parts. Some came from Nashville, Bowling Green, northern Indiana and even local Louvillians in Louisville, Ky.
All the actors fit right in with my vision perfectly!
0 Comments

    Klaus at Gunpoint

    A Film Journal dedicated to all film.A segment of Office Supply Publishing. 

    Archives

    March 2024
    August 2023
    March 2023
    March 2021
    April 2020
    March 2020
    January 2020
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    August 2018
    July 2018
    June 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016

    Categories

    All
    1960s
    1980
    1980s
    2020 Cinequest
    48 Hour Film Project
    Adventure
    Advertising
    Alternate History
    Animation
    Art
    Avant Garde
    Awesome
    Bill Plympton
    Cinema
    Cinequest
    Cinequest 2016
    Cinequest 2017
    Cinequest2018
    Comedy
    Conspiracy
    Dance
    Documentary
    Drama
    Early Computer Graphics
    Fantasy
    Feature
    Film
    Film History
    Forbidden Film
    Henry Zebrowski
    History
    Horror
    Interview
    Kaiju
    LGBT
    Mindbender
    Mockumentary
    Musical
    Music Video
    National Film Registry
    Noir
    Podcast
    Science Fiction
    Short Film
    Skateboarding
    Slasher
    Thriller

    RSS Feed

Powered by Create your own unique website with customizable templates.